Glossary

Seventh chord

A seventh chord is a triad with a fourth note added a seventh above the root, as in G7 (G–B–D–F) or Cmaj7 (C–E–G–B).

What are the common seventh chords?

Each one is a triad plus a seventh. Built on C:

Chord Symbol Notes Triad + seventh
Major seventh Cmaj7 C–E–G–B major + major 7th
Dominant seventh C7 C–E–G–B♭ major + minor 7th
Minor seventh Cm7 C–E♭–G–B♭ minor + minor 7th
Half-diminished Cm7♭5 or Cø7 C–E♭–G♭–B♭ diminished + minor 7th
Diminished seventh Cdim7 or C°7 C–E♭–G♭–B𝄫 diminished + diminished 7th

B𝄫 (B double flat) sounds the same as A; it is spelled that way because it is a seventh above C.

Stack one more third on each degree of C major and you get seven seventh chords: Cmaj7, Dm7, Em7, Fmaj7, G7, Am7 and Bm7♭5. Only the chord on the fifth degree, G7, is a dominant seventh.

How do seventh chords sound?

Fuller than a triad, and each type has its own colour. The major seventh sounds soft and airy, with the seventh a semitone below the octave. The minor seventh sounds mellow. The dominant seventh sounds restless: in G7, the notes B and F form a tritone, and resolving to C major (B up to C, F down to E) is the strongest close in tonal music.

That pull drives ii–V7–I, in C major Dm7–G7–Cmaj7: the progression jazz is built on, and one that turns up far beyond jazz.

Does C7 mean C with a B?

No, and this is the most common mistake with chord symbols. A plain 7 means the minor seventh: C7 is C–E–G–B♭, the dominant seventh. The note B appears only when the symbol says maj7: Cmaj7 is C–E–G–B. The two sound very different, so mixing them up is audible straight away.

Try it: The Pull of the Dominant drills progressions with V7 and asks you to hear where the chord is heading.